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The 188 stage Hero's Journey (mono myth) is the model on which most successful stories and Hollywood blockbusters at the time. In fact, all the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188 + stage template.
Understanding this template is a priority for story or screenwriters. This is the template that you can master if you plan to be successful in the economy, need.
[The terminology is often metaphoricallyapplies to all successful stories and screenplays for The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) for The Lord of the Rings (2003) Drugstore Cowboy (1989) to Thelma and Louise (1991) to now Apocaplyse (1979)].
THERE IS ONLY ONE STORY
The Hero's Journey 188 STAGE:
a) tests, the unconscious expectations the audience has regarding what a story it has to, and how they should be told to take advantage.
b) gives the writer more structural elements than simply three orfour acts, plot points, mid, and so on.
c) there is a tangible process for building and releasing dissonance (establishing and achieving catharsis, of which there are usually four).
d) says you what to write. For example, at a certain point in history, the focus should be on the Call to Adventure and the micro elements within.
REDUCED TIPS, excerpts and examples:
(Just go for more details http://www.heros-journey.info/)
The favor of ***** "Sword *****
Only the hero is entitled to enter the Inner House and use the sword, is expansion of consciousness for him (or her) alone. Features include:
The fraudsters. Who is the hero often brutally eliminated. Only King Arthur can pull the sword.
Seizure. The hero takes up the sword. In Star Wars (1977), Luke rescue Leia. In The Matrix (1999), Neo saves Morpheus. Kissing in Dances with Wolves (1999), and John was standing with his fist and love. InSpartacus (1960), Spartacus and Varinia have a baby.
Magic Sword. Seeing the sword, the hero is stunned, taken over in awe, amazement, or similar. Amazing beauty. The hero is smitten by the beauty of the giant sword.
***** ***** Broke Ban
Penalties and bans demonstrations broke proven many times. In Brokeback Mountain (2005), Ennis sees the dead sheep.
***** New World Of Trials and Transformation of *****
Even if the hero canbe ready, can he (or she) is not happy with the outcome is revealed. In Bonnie and Clyde (1967), Clyde's angry because she committed a murder.
Characters and archetypes ***** *****
The vast majority of successful screenplays for off-the-shelf features character called archetypes. For example, Tessio (The Godfather, 1972) and Han Solo (Star Wars, 1977) both Shape Shifter. Here you will find a complete list of archetypeshttp://www.clickok.co.uk/index4.html
Apart from the hero, arcgetypes these challenges is "to provide the basis for the subplot.
***** ***** State transferred
This is a total expression of the heroes of Ordinary World and Ordinary Self. This is a reference point. In Tsotsi (2005), Tsotsi is part of a criminal gang, which is something you leave at the end of the story is. In Get Carter (1971 ? a longer version with Michael Caine), which we discovered in the first scene in which Jack CarterExternal challenge is to find out who killed his brother, is its internal challenge to escape from its employees to criminal / romantic past and his challenge is Britt Ekland away from the boss fight.
Ban ***** *****
An authority figure is often banned from heroes, the first threshold, or when it will rule states. In Brokeback Mountain (2005), Joe says: "? last year I had a loss of 25%, I do not want that again ?"
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